David Trullo

David Trullo (Madrid, 1969) Graduated in Fine Arts from the Complutense University of Madrid, 1993.

He has had numerous solo and group exhibitions in commercial galleries, museums and art centers in Europe and America since 1992 as Tabacalera, Madrid (2018), TEA Tenerife (2016), Cordoba Photography Biennial (2015), CACT Ticino, Switzerland (2013), Leslie Lohman Foundation, New York (2012), Instituto Cervantes, Palermo/Berlin (2011) , Schwules Museum, Berlin (2011), Kubo Kutxa, San Sebastian (2011), Academia de San Carlos, Mexico (2010), Hardcore Gallery, Miami (2009), CDAN Huesca, (2008), Museo Universidade Sao Paulo (2008), Finland Photography Triennial (2005).

He has had numerous solo and group exhibitions in commercial galleries, museums and art centers in Europe and America since 1992 as Tabacalera, Madrid (2018), TEA Tenerife (2016), Cordoba Photography Biennial (2015), CACT Ticino, Switzerland (2013), Leslie Lohman Foundation, New York (2012), Instituto Cervantes, Palermo/Berlin (2011) , Schwules Museum, Berlin (2011), Kubo Kutxa, San Sebastian (2011), Academia de San Carlos, Mexico (2010), Hardcore Gallery, Miami (2009), CDAN Huesca, (2008), Museo Universidade Sao Paulo (2008), Finland Photography Triennial (2005).

He has participated in fairs and festivals such as ARCO, Estampa and PhotoEspaña in Madrid, Art Miami and The Armory Show in USA. He has received awards such as the Ibiza Biennial and the Magrama for photography, and artist-in-residence grants at the Irish Museum of Modern Art, Dublin and the Karl Hofer Society, Universität der Kunste, Berlin. Recent solo exhibitions include 'Coined' at the Museo Lázaro Galdiano, 2016 and 'Queer Cabinet' at the Museo de Artes Decorativas, 2017, Madrid.

He has curated numerous exhibitions for public and private entities, as well as worked in cultural coordination and management at festivals, events and art galleries.

His work focuses mainly on iconography and the different levels or contexts of the image and its processes of reproduction, representation and distribution, around the reinterpretation, reconstruction, alteration and composition dialogues and confrontations on different aspects of contemporary society attached to existing iconographies, resignifying texts, contexts and pretexts. His gaze is especially directed to questions of gender representation.