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Jesus Aguado takes us, through a crude surrealism, to a universe of dual animated beings that parade at the edge of the endearing and the disturbing, scenarios loaded with a humor that plays with incongruence and irreverence, where the human being has no place.
The theatricalized entelechy becomes the hallmark of the creatures that star in fictional worlds of fictitious and unreal worlds full of winks to the reality that surrounds us, under an ironic and acid analysis that seduces and traps the audience.
viewer. The baroque roots provide a special touch to the lighting and the
visual stimuli, which weave together the past and contemporaneity.